Skip to content

VERTICALFLOW Clipping: Short-form clipping agency

One long-form asset, cut into hundreds of vertical clips and posted by a network of editors from their own accounts — every clip tied to the person who cut it.

Fotis — personal brand reel, to camera
BMW M4 — automotive reel
GoJack — brand story reel
Paros — cinematic property tour
Central VIP — automotive reel
Kings Barbershop — interview reel
Top Fitness — gym reel
Izipen — product reel
Paros — short-term rental reel
Fotis — lifestyle reel
Green Family — brand reel
Audi Frankfurt — automotive reel
Barber — short-form reel
GoJack — product reel
Paros — just-listed property reel
Fotis — personal brand reel, on location

Reels we have made for our clients — our own short-form work, not clipping results. Clipping results will be shown here once the first campaign has run.

One edit is a bet on a single hook. Fifty edits from the same source is a test — and once they are out, the winners stop being a matter of opinion.

What we do

Paros — short-term rental reel
Kings Barbershop — short-form reel

01For brands

One asset in. Hundreds of hooks out.

Hand over a podcast, a launch film, a founder interview or a week of streams. Trained editors cut it into platform-native clips — different openings, different angles — and post them from their own accounts. You get distribution rather than a folder of files, and every clip is registered to the editor who made it the moment it is submitted.

Get a campaign plan

Brands we make short-form for — not clipping clients

Paros — property tour reel
Paros — sold-over-asking reel

02For editors

Get the course. Get the footage. Get paid on what it does.

The network runs on editors who can cut, not editors with an audience. Bring the skill and sharpen it on our course; as campaigns open, we bring the source material and the brief. You are paid per 1,000 views at a rate agreed before you cut anything, and while you are in the network a clip keeps earning for as long as it keeps gaining views.

Apply to the network

How it works

  1. Step 01

    You hand over one asset.

    A podcast, a launch video, a founder interview, a week of streams. The volume comes from how it is cut, not from how much you film.

  2. Step 02

    The network cuts it.

    Trained editors cut vertical, platform-native pieces — different hooks, different openings — because the clip that travels is rarely the one anyone would have picked.

  3. Step 03

    It gets posted, not delivered.

    Editors post from their own TikTok and Instagram accounts, so the clips go out through many independent profiles instead of one brand channel.

  4. Step 04

    Every clip is attributed.

    Each clip is registered to the editor who made it the moment it is submitted. Views are read from the public post, never typed in — by a sync that is not switched on yet.

Why clipping beats one more polished edit

One edit

One guess at the hook

Fifty edits

Fifty guesses, tested against each other

Volume

Volume is the strategy

Each run is sized so the hooks compete: different openings, angles and lengths, cut from the same source and posted side by side across the network.

Network

A network, not a freelancer

Editors are recruited, trained on our course and rated on their output. Capacity grows with the campaign instead of with one person’s calendar.

Organic

Reach that keeps running

Paid reach stops the moment the budget does. An organic clip is not switched off when the campaign window closes; it can keep surfacing for as long as people keep finding it.

Reporting

Numbers nobody types in

Views and engagement are read from the public posts by an automated sync and reported as campaign totals, not screenshots. The sync is not switched on yet: until it is, counts read zero, then backfill.

Where this is

We have not run a clipping campaign yet.

You will have noticed there are no view counts on this page, no case studies and no clipping logos. The clipping arm is new. The agency behind it is not, and most of the machinery — the editor network, the briefs, the attribution, the payouts — is built; the one piece not switched on yet is the sync that reads view counts. The campaigns have not happened yet, and we would rather you read that here than heard it on a call.

What it means for you: the first brands in get an operation with nothing else competing for its attention, and a price that reflects a network proving itself rather than one charging for a reputation. For editors, the network opens before the first campaign does: the course is there from the day you are accepted, and briefs arrive as brands sign on.

Get a campaign planJoin as an editor

For brands

Questions brands ask

What does it cost?

It is quoted per run — a number of clips over a window — rather than per clip, because the useful unit is a test, not a single edit. Tell us what long-form you have and what you want it to do, and you get a projected clip count, a window and a price within 24 hours. No call, and nothing is committed at that point.

What do you need from us to start?

One long-form asset — a podcast episode, a launch video, a founder interview, a week of streams — and a sentence on what the campaign is for. If anything is off limits, send that too: it goes into the brief the network works from.

Where do the clips get posted?

On TikTok and Instagram, from the editors’ own accounts. That is deliberate: the clips go out through many independent profiles, so the distribution is a network rather than one brand channel you have to keep feeding.

How do you stop a clip going out that we would not approve?

The brief is the control. It is written before a campaign opens, every editor works from it, and it is where you put what must never be cut, claimed or implied. A campaign is not opened to the network without one.

How is performance measured?

Every clip submitted for your campaign is registered to it and to the editor who made it. Views and engagement are then read from the public post by an automated sync — nobody types them in, on either side. That sync is not switched on yet: until it is, counts read zero, and they backfill once it runs.

What is a clipping agency, exactly?

An agency that takes one long-form asset, turns it into a volume of short vertical clips and distributes them through a network of editors rather than one brand account. The value is not the editing — it is the number of independent attempts at a hook, so what works is discovered rather than guessed.

For editors

Questions editors ask

How do I join?

Apply below. If you are accepted you get the course, the source material for campaigns as they open and a rate agreed before you cut anything. You do not need a big audience — the network runs on editors who can cut — but the clips go out from your own TikTok or Instagram account.

How am I paid?

Per 1,000 views, at a rate agreed with you before you start. Payouts go out monthly by SEPA bank transfer in euros, so you need an account in your own name that can receive one. If a month’s payout comes to less than €20 it is not sent: those views roll into the next month rather than expiring. A clip whose numbers look bought is held out of a payout until it has been reviewed.

What happens to a clip that keeps growing after I am paid for it?

You are paid again. Each payout settles the views a clip has gained since the last one, not a total that gets closed off — so while you are in the network, a clip from three months ago keeps earning while people keep watching it.

What will I actually see on day one?

The clips you submit, the campaign each one is attributed to, and the course. Being straight about the rest: the sync that reads view counts is not switched on yet, so counts read zero until it is, then backfill. Nothing about your work is lost in the gap — attribution is recorded the moment you submit.

Do I need to be in Greece?

No. The work is remote and the brief is in English. Where you live only matters for payment: you need a bank account in your own name that can receive a SEPA transfer in euros.

Interested in a campaign?

Editor? Apply here

Get a plan

Tell us what long-form you have and what you want it to do.

Leave an email or phone — just one is enough.

What happens next

A plan, not a sales call.

  • A projected clip count, a window and a price — within 24 hours.
  • No call required, and nothing is committed at that point.
  • Anything that must never be cut, claimed or implied goes into the brief every editor works from.

Can you cut?

Apply to the editor network.

The editing course, free

Hooks, pacing, captions, sound and retention. Our short-form editing course opens the day you are accepted and stays open while you are in the network.

Paid per 1,000 views

At a rate agreed with you before you cut anything, on what your clips do rather than hours logged. Paid monthly by bank transfer.

A clip keeps paying

You are settled on the views a clip gained since your last payout, so while you are in the network a clip cut in March still earns in June if people are watching.

Your accounts stay yours

You post from your own profiles. We never ask for a password and never post for you — we read the public numbers on the clips you made for us.

Tell us your handles, what you edit in and roughly how many clips a week you can turn around. We read every application and reply either way. If you are accepted, the first thing you get is the course.

Leave an email or phone — just one is enough.

What we do and do not touch

We read the public numbers on the clips you submit for a campaign, and check each was posted from a handle you gave us. Nothing else on your profile.

We never ask for your password, and we never post, message or follow from your account.

Nobody types the numbers in — not you, not us. Both sides read the same figures from the public post.